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“... a sadly reduced income.’ But, in general, American critics said yes to whatever Auden gave them. Robert Lowell in 1967 expressed his gratitude for Auden’s many-sided gifts: ‘I am most grateful for three or four supreme things: the sad Anglo-Saxon alliteration of his beginnings, his prophecies that seemed the closest voice to our disaster, then the ...”

“... can be, and what a torture of guilt it makes breaking away.’Auden was 15 when his schoolfriend Robert Medley suggested that he might try his hand at writing poems.Kicking a little stone, he turned to meAnd said, ‘Tell me, do you write poetry?’I never had, and said so, but I knewThat very moment what I wished to do.At 15, Auden knew, too, that he ...”

“... developing voice of the central character. The chapters describing Franklin’s early years are a medley of fragments, rhetorical questions, associative jumps and exclamation marks. In the later sections recounting Franklin’s first Arctic expedition, Nadolny brilliantly sets the narrative pace to the rhythms of the frozen landscape, and to the ‘slowness ...”

“... makes the scene even more touching. 6 February. I am reading a history of the Yorkshire Dales by Robert White, one of a series, Landscape through Time, published by English Heritage. During the enclosures of the 18th and 19th centuries, most of the land enclosed was added to existing farms, but in 1809 John Hulton used the land allotted to him from the ...”

“... be read in English from 1855, Tolstoy had British and American disciples, and Dostoevsky was, in Robert Louis Stevenson’s view, ‘a devil of a swell, to be sure’. But the English-speaking world’s received ideas about Russian literature were mostly laid down in the 1910s and 1920s, the great age of Western interest in the Russian soul – ‘its ...”

“... American realism, once a belief, is now an idle liberty. Writers such as Robert Stone, Joan Didion, John Irving and even Don DeLillo, are praised for their ‘realism’, for the solidity of their plots, the patience of their characterisation, the capillary spread of their social portraits, the leverage of their political insight ...”

“... publisher’s nightmare: the genial George Smith ruefully recalled that her manuscripts were ‘a medley of pieces of paper of all shapes and sizes, written here and there and fastened together with a needle and thread’. These disorderly ways were the product of a conviction that she need not distract herself with life’s smallnesses. As Thackeray’s ...”

“... numerical coding of the chapters, Coe can describe the book as ‘diverse and fragmentary’. The medley includes concrete poems, extracts from Erich Neumann’s The Great Mother, and an elaborate account of the progress of a foetus (himself) from conception to birth, so Coe’s stricture seems just, if a little severe. It is part of Johnson’s charm that he ...”

“... having theories about how to read books than about how to understand his friends. The Foreword to Robert M. Adams’s The Land and Literature of England gives some indication that this merely humane view of literature is now felt to be under threat. His bland intention is ‘to set forth the outlines of English history so that they may serve as background for ...”

“... difficult terrains in any case) than there appeared in 1978 The Older Hardy, the second volume of Robert Gittings’s biography, which had the effect of vindicating, exhaustively and unforgivingly, Edward Clodd’s epitaph. Ever since, the Trade Union has been on the defensive. The first move was to prefer to Gittings’s biography a later one by Michael ...”

“... alone in their London flat without any money. (She was trying to get away from her third husband, Robert Lowell, who was mad at the time.) It is taken as inevitable that patterns are inevitably repeated. Blackwood becomes a lifelong drunk given to hysterical and unsuccessful relationships, and it is no surprise that Natalya dies of a heroin overdose at the ...”

“... became a cult classic of sorts, especially among fly-fishermen, before it gained general fame when Robert Redford released his film of it in 1992, two years after Maclean had died at the age of 87. At his death he had left an almost completed manuscript, Young Men and Fire, which the editors of the Chicago University Press prepared for ...”

“... keyboard. He keeps his hand in by studying piano with Mr Natural, or the individual on whom Robert Crumb’s comic-strip character Mr Natural is based. Mr Natural teaches out of a storefront in the Haight in San Francisco, where the Maestro and I are long-time neighbours. The Maestro regularly drives between San Francisco and Madison, Wisconsin, where ...”

“... Sun, there was no secret made about the fact. Nonetheless Amis wrote under the pseudonym ‘Robert Markham’. Presumably this indicates some sort of functional schizophrenia, a way of not being Amis while writing a very un-Amis-like book, yet at the same time receiving royalties into the Amis bank account. (Fleming, of course, was the biggest earner ...”

“... 1978 he and four other actors toured Canada, South Africa, the US, Europe and South America with a medley of scenes from Shakespeare. ‘His voice was quiet,’ Donald Spoto writes in his new study of the Redgrave family, but still expressive, and his gait often unsteady, but audiences seemed to provide him with a shot of adrenalin, and spectators were ...”